# Game Retrospective > > - **Type:** Skill - **Install:** `agentstack add skill-alterlab-ieu-alterlab-gameforge-game-retrospective` - **Verified:** Yes — security-reviewed for prompt injection and unsafe behavior - **Seller:** [AlterLab-IEU](https://agentstack.voostack.com/s/alterlab-ieu) - **Installs:** 0 - **Category:** [AI & ML](https://agentstack.voostack.com/c/ai-and-ml) - **Latest version:** 0.1.0 - **License:** MIT - **Upstream author:** [AlterLab-IEU](https://github.com/AlterLab-IEU) - **Source:** https://github.com/AlterLab-IEU/AlterLab_GameForge/tree/main/skills/workflows/game-retrospective ## Install ```sh agentstack add skill-alterlab-ieu-alterlab-gameforge-game-retrospective ``` Requires the [AgentStack CLI](https://agentstack.voostack.com/docs/cli). Works with Claude Code, Cursor, and any MCP-compatible agent. ## About # AlterLab GameForge -- Game Development Post-Mortem The game industry has the best post-mortem tradition in software. Gamasutra's classic post-mortem series — Diablo II, Baldur's Gate, Black & White, Thief — taught an entire generation of developers more than any textbook because they were brutally honest. Five things that went right. Five things that went wrong. No spin, no corporate sanitizing, no "learnings and opportunities." Just the truth about what happened when a team tried to ship a game. This workflow follows that tradition. Not Scrum retrospectives. Not agile ceremonies. Game development post-mortems — the format that Supergiant used to iterate Hades from a decent roguelike into a genre-defining masterpiece, that ConcernedApe used to survive five years of solo development on Stardew Valley without losing his mind, that the Dwarf Fortress brothers used to sustain a twenty-year development cycle without burning out or losing direction. The difference between a corporate retro and a game post-mortem: a corporate retro asks "what could we improve?" A game post-mortem asks "did we build the right game, and did we build it the right way?" One optimizes process. The other interrogates the creative and technical decisions that determine whether your game ships, and whether it is worth shipping. ### Purpose & Triggers Run this workflow when: - A sprint ends and the next one has not started - A milestone lands (vertical slice, alpha, beta, gold) - A project ships or is cancelled - Development feels stuck and nobody can articulate why - The game is "fine but not fun" and the team needs to diagnose the gap - A major pivot or scope cut just happened and the dust has settled - Before starting a new project, to extract lessons from the last one Problems this solves: - Repeating the same design mistakes because nobody documented why a feature failed - Cutting the wrong features because scope pressure overrides design judgment - Technical debt accumulating invisibly until it blocks progress - Teams that playtest but never analyze the patterns in playtest data - Solo developers who skip reflection and wonder why their third prototype dies the same death as the first two - The "it felt off but we shipped it anyway" regret cycle ### Critical Rules 1. **GDC format, not agile format.** The structure is "What Went Right / What Went Wrong / Lessons Learned." Not "went well / didn't go well / action items." The distinction matters: GDC format forces you to commit to a judgment. Something either went right or it went wrong. Fence-sitting is not allowed. 2. **Game-specific lenses, not generic process questions.** Every retrospective passes through six game development lenses (detailed below). "Did we communicate well?" is a process question. "Did the core loop deliver the intended experience?" is a game development question. This workflow asks the second kind. 3. **The Kill List is mandatory.** Every retrospective includes a review of what was cut. The discipline to cut is the discipline to ship. The Kill List forces you to evaluate whether your cuts were correct, premature, or too late. 4. **"The One Thing" is mandatory.** After all analysis, distill everything to a single sentence. One lesson. The one that changes how you work next time. If you cannot pick one, you have not thought hard enough. 5. **Evidence over feelings.** "The combat felt off" is not a finding. "Playtesters disengaged during combat encounters longer than 45 seconds, suggesting the damage loop is too slow for the encounter scale" is a finding. Back everything with data, playtest observations, or specific incidents. 6. **Read the last post-mortem first.** Before starting, review the previous retrospective. Did those lessons actually change anything? If the same problems appear twice, the issue is not awareness — it is execution. That distinction changes the action plan entirely. 7. **Solo devs do this too.** ConcernedApe developed Stardew Valley alone for five years. He has spoken publicly about the burnout, the scope creep, the periods where he almost quit. Solo developers have zero external feedback loops. This workflow IS your external feedback loop. Write it down. Do not just think about it. ### The Six Game Development Lenses These lenses replace generic retro questions. Every retrospective — sprint, milestone, or project — passes through all six. Not every lens will produce findings every time. That is fine. But you must look through each one. --- **Lens 1: Core Loop Validation** Did the core loop deliver the intended experience? Was it fun in isolation before content, narrative, and progression systems were layered on top? Celeste's core loop — dash, jump, climb — was fun in a blank room with white rectangles. Madeline's movement felt good before a single strawberry, B-side, or story beat existed. If your core loop is not fun in a blank room, content will not save it. This is the most important lens because everything else is built on top of it. Questions to answer: - Strip away all content, progression, and narrative. Is the core verb set satisfying on its own? Can you play the loop for 10 minutes in a test room and want to keep going? - Where in the loop does the player feel agency? Where do they feel constrained? Are those the right places? - What is the loop's rhythm? Is it the rhythm you designed, or did it drift during implementation? - How long is one cycle of the loop? Is that length correct for your genre and session target? - Reference check: Hades' core loop (enter room, fight, choose boon, repeat) was iterated for over a year in Early Access. Supergiant shipped the loop first and layered content on a proven foundation. Did you do the same, or did you build content on an unproven loop? --- **Lens 2: Pillar Integrity** Did the design pillars hold through implementation, or did they drift? If they drifted, was the drift intentional evolution or unconscious erosion? Pillars are only useful if they survive contact with production. A pillar that reads beautifully in a GDD but gets quietly abandoned when implementation gets hard was never a real pillar — it was an aspiration. This lens detects the gap between stated pillars and shipped reality. Questions to answer: - For each pillar: name three specific implementation decisions where the pillar guided the choice. If you cannot name three, the pillar was not operational. - For each pillar: name one moment where the pillar was violated or compromised. What caused it? Schedule pressure? Technical limitation? A better idea that superseded the pillar? - Did any new implicit pillars emerge during development? Something the team was consistently prioritizing that was never formally named? Name it now. - Are the pillars still the right pillars, or does the game you actually built suggest different ones? - Reference check: Hollow Knight's pillar of "atmospheric exploration" held through every expansion. Team Cherry cut content that did not serve it, even content they loved. Did your pillars have that authority, or were they suggestions? --- **Lens 3: Scope Tier Review** Did the Must/Should/Could prioritization protect the right features? What moved between tiers during development, and were those moves correct? Scope management is not about cutting features. It is about protecting the features that make your game YOUR game while having the discipline to let go of everything else. Questions to answer: - List every feature that was in the "Must" tier at the start of this period. How many shipped? How many were downgraded or cut? - For each downgraded "Must": was the downgrade correct? If you had to make that call again with current knowledge, would you? - What "Should" or "Could" features consumed more resources than planned? Were they worth the overrun? - What is the ratio of planned scope to shipped scope? Is the delta acceptable, or does it indicate a systemic estimation problem? - Reference check: Stardew Valley's scope grew continuously for five years because ConcernedApe had no external deadline and no scope authority except himself. The game is a masterpiece, but the development nearly destroyed him. Scope discipline is self-care. --- **Lens 4: Flow State Analysis** Where did playtesters enter flow? Where did they bounce? Map observed engagement against the intended experience curve. Flow — the Csikszentmihalyi state where challenge perfectly matches skill — is not an accident. It is designed. This lens compares your intended flow curve against what players actually experienced. Questions to answer: - Map the intended experience curve for a play session: where should challenge rise? Where should it rest? Where is the peak? - Overlay playtest data: where did players actually engage deeply (long sessions, repeated attempts, audible reactions)? Where did they disengage (put down the controller, check their phone, quit)? - Where are the flow breakers? Inventory management mid-combat? Unskippable dialogue? Loading screens at tension peaks? Tutorials that interrupt momentum? - Is the difficulty curve a curve or a cliff? Where do players hit walls? Are those walls intentional gates or unintentional friction? - Reference check: Dark Souls' flow design is a masterclass in intentional frustration. The difficulty is the point — but the game never wastes your death. Every failure teaches something. If your players are frustrated AND not learning, your difficulty is not Dark Souls difficulty — it is bad difficulty. --- **Lens 5: Technical Debt Audit** What shortcuts taken for speed are now blocking progress? Which shortcuts were worth it? Which should have been paid down earlier? Every game accumulates technical debt. The question is not "do we have debt?" but "is our debt in the right places?" Debt in a prototype system that will be rewritten is free. Debt in a core system that everything depends on is compounding interest. Questions to answer: - List the top 5 technical shortcuts currently in the codebase. For each: what would it cost to fix? What is the cost of NOT fixing it over the next milestone? - Which shortcuts enabled you to hit deadlines that mattered? Those were good debt. Name them and acknowledge the tradeoff. - Which shortcuts are now blocking new features or causing bugs? Those are bad debt that should have been paid sooner. Why were they not? - Is there a pattern in where debt accumulates? If it is always in the same system, that system needs an architectural rethink, not a patch. - What is the "bus factor" for your most critical technical debt? If the one person who understands the hacky save system leaves, how much damage does that cause? - Reference check: Dwarf Fortress has been in development for over twenty years. The Adams brothers make deliberate, documented technical decisions about what to hack and what to build properly — because they know they will be maintaining this codebase for decades. Your timeline is shorter, but the principle holds: know what you owe and why. --- **Lens 6: Ludonarrative Check** Where did mechanics and narrative reinforce each other? Where did they contradict? Did the game say one thing with its story and another with its systems? Ludonarrative dissonance — the term Clint Hocking coined reviewing BioShock — is when the story tells you to care about characters while the gameplay tells you to loot their corpses. It is the gap between what the narrative says the game is about and what the mechanics actually reward. Questions to answer: - Identify three moments where mechanics and narrative aligned perfectly. What made them work? Can you create more moments like these? - Identify any moments where mechanics and narrative contradicted. The story says "time is running out" but the gameplay lets you farm sidequests for hours. The narrative says "violence has consequences" but the combat system rewards kill combos. - Do the progression systems reinforce the narrative arc? Does the player grow in ways that match their character's journey? - What do the game's mechanics say about the game's themes, independent of any dialogue or cutscenes? Is that message intentional? - Reference check: Disco Elysium is the gold standard. Every skill IS a narrative voice. Every stat check IS a story moment. The mechanics do not support the narrative — they ARE the narrative. Outer Wilds achieves the same unity: every "story" moment is actually a physics puzzle. You do not need to reach that level, but you need to know where your mechanics and narrative are pulling in different directions. --- ### The Kill List This section is mandatory for every retrospective scope. It is a dedicated review of every feature, system, or content piece that was cut during this period. Team Cherry cut multiple biomes from Hollow Knight that were partially built — geometry laid out, enemies designed, some art complete. The discipline to cut half-built work is harder than cutting ideas, because you can see the sunk cost. The Kill List forces you to confront your cuts honestly. ``` KILL LIST: [Sprint/Milestone/Project Name] Date: [date] +------------------------------------------------------------------+ | Feature Cut | Stage When Cut | Reason | Correct Call?| +-------------------+-----------------+-------------+--------------+ | [Feature name] | [Idea/Design/ | [Why it was | [Yes/No + | | | In-Progress/ | cut] | reasoning] | | | Nearly-Done] | | | +-------------------+-----------------+-------------+--------------+ | [Feature name] | [stage] | [reason] | [assessment] | +-------------------+-----------------+-------------+--------------+ CUTS THAT WERE CORRECT: - [Feature]: Right call because [specific reason it was the right cut]. CUTS THAT WERE TOO LATE: - [Feature]: Should have been cut at [earlier stage] instead of [when it was actually cut]. Cost of delay: [wasted effort in hours/days/sprints]. CUTS THAT WERE PREMATURE: - [Feature]: In hindsight, this should have survived. Evidence: [why you now believe it was worth keeping]. FEATURES THAT SHOULD HAVE BEEN CUT BUT SURVIVED: - [Feature]: This shipped but should not have. It [diluted the experience / consumed resources better spent elsewhere / violated a pillar]. Why it survived: [inertia / sunk cost fallacy / stakeholder attachment]. THE EARLIER CUT: If you could go back to the start of this period, what would you cut on day one that you did not cut until [later]? - [Feature]: Cut immediately because [reason]. THE FIERCER PROTECTION: What would you protect more fiercely against scope pressure? - [Feature]: Protect because [reason it was more important than recognized]. ``` ### "The One Thing" After completing all six lenses and the Kill List, distill everything to a single sentence. This is the hardest part. It is also the most valuable. The single most important thing we learned is: ____________________ Rules for "The One Thing": - It must be specific. "Communicate better" is not an insight. "Playtest the core loop in isolation before building content on top of it" is an insight. - It must be actionable. It should change a specific behavior or decision in the next sprint, milestone, or project. - It must be honest. The comfortable lesson and the true lesson are rarely the same. - It should be the thing that, if you had known it at the start, would have changed the most about how this period went. Examples of good "One Things": - "We should have cut the crafting system in week two — it served no pillar and consumed 30% of our implementation time." - "The core loop was not fun until we added hit-stop and screen-shake, which means we were evaluating an incomplete loop for two months and making design decisio … ## Source & license This open-source skill is cataloged on AgentStack and links to its original source — we do not rehost the code. - **Author:** [AlterLab-IEU](https://github.com/AlterLab-IEU) - **Source:** [AlterLab-IEU/AlterLab_GameForge](https://github.com/AlterLab-IEU/AlterLab_GameForge) - **License:** MIT Install and usage instructions live in the source repository linked above. ## Pricing - **Free** — Free ## Security capabilities Automated source analysis of v0.1.0 — what this tool can access: - **Network access:** no - **Filesystem access:** no - **Shell / process execution:** no - **Environment & secrets:** no - **Dynamic code execution:** no *"Yes" means the capability is present in the source — more access means more to trust, not that it is unsafe.* ## Versions - **0.1.0** — security scan: passed — Imported from the upstream source. ## Links - Listing page: https://agentstack.voostack.com/l/skill-alterlab-ieu-alterlab-gameforge-game-retrospective - Seller: https://agentstack.voostack.com/s/alterlab-ieu - Browse the marketplace: https://agentstack.voostack.com/browse --- Listed on AgentStack — the marketplace for AI agent skills and MCP servers. Every listing is security-reviewed. Creators keep 70%.